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Abstract

Literary production has always been tied to specific developments in technology. This has become all the more apparent since the advent of personal computing and our digital media age. How might an awareness of technology’s impact then affect the future of literary creation, critique, and preservation? For Matthew Kirschenbaum’s Bitstreams: The Future of Digital Literary Heritage, this is among the core questions of literary, archival, and bibliographic studies in the contemporary digital media age.

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